Archive for the 'Boo Radleys' Category

Good Shit

October 20, 2007

So: Two general blog things of note.

First, both ninjajabberwocky and I have been really busy of late, and both simultaneously dropped the ball on getting posts up on this blog. This is a bad thing, so I’m putting something up.

Second, we’ve noticed that one of the reasons why our blogging has dropped off is that our posts have tended to be too formal. Thus, they take too long to make, and we don’t actually spend time doing it because it’s too… well, ‘intimidating’ is not quite the right word, but some word like that. Thus, this post is going to take me like 20 minutes to make. Hehe. But it’s still going to be good, I swear.

There have been a bunch of good albums which have come out in the past couple of months. A couple of them are pretty generally known: Kanye West’s Graduation, Radiohead’s In Rainbows, etc. I wanted to put up a few more albums that I’ve been listening to which not enough people are talking about:Les Savy Fav - Let's Stay Friends

First and foremost: Les Savy Fav’s Let’s Stay Friends. It’s some fucking great post-punk styled indie rock. Les Savy Fav have often been compared with Fugazi, who are one of my favorite bands ever, and it’s usually a good comparison. But here they don’t sound like it: They’ve gone really pop, compared to their other stuff. And it’s great news, which is rare. “Patty Lee” is a truly great pop song which is kinda a perfect example of how the album sounds: The angular guitars are still there, but they’re hidden under melodies and good singing. There are still some more aggressive tracks though, which are still awesome. And the rhythm section is fucking awesome, of course. That’s basically why the album matters: The rhythms are so tight that the songs will be driven into your head.

Sunset Rubdown - Random Spirit Lover

Sunset Rubdown’s Random Spirit Lover is amazing, and it’s hard to explain why. The songs are a mess. They don’t sound like anything else I’ve heard, which is a plus. But if I heard any of these songs alone, I would find them annoying and scattered. However, the album generates its own particular mood, within which the songs makes sense. The first third is just good pop music, but in the middle third of the album, starting with “Colt Stands Up, Grows Horns”, the songs become really experimental. And I keep thinking: I wish I knew why this is good music.

There are a couple of other great albums I want to at least mention, although they’re both very not-mainstream-listenable. A Place to Bury Strangers are this new band whose self-titled debut is brilliant. It’s basically shoegaze/Jesus and Mary Chain-style music, but along with beautiful lush pop feedback, it has a bunch of industrial noisy angry feedback. “To Fix the Gash in your Head” is one of my favorite tracks of the year. It’s almost danceable, but is about kicking someone’s head in. Between the Buried and Me are the other band I feel that I must mention, because their Colors is the best metal album of the year. For a lot of people, that’s like saying ‘the best knife to the stomach’ but if you give it a chance, there’s so much innovation behind the screaming. Seriously.The Boo Radleys - Giant Steps

The other album I want to mention is not a new release, but some 90’s stuff I’d never heard before. It’s the Boo Radley’s Giant Steps. Highest recommendation possible for this album, I swear. The stylistic variety is so great, it’s mind-boggling, but the songs all fit together too. It ranges from Beach Boys to 90’s alt rock to jazz to psychedelia to Britpop to guitar noise. And it’s all uniformly excellent. Best thing I’ve heard in a long time.

I’m not really feeling like uploading a lot of tracks, but here’s Hype Machine/YouTube:

Hype Machine: A Place to Bury Strangers – To Fix The Gash in your Head
YouTube: The Boo Radleys – Lazarus

posted by nerdbound